Agreed Mike, if you are already familiar with these shaped as Maj7 arpeggios, it will def speed up learning that section!
Kristofer,
Yes, you're right of course, but I was only speaking of the bit starting with the 16th note triplets. The backing track is Bb there, so thinking of that shape as a Bb maj 7 seems useful to me. You could also think of the same shape as a D min 6 arpeggio.
That "Hon-Kumoi-Yoshi scale" bit is just a Bb maj 7 arpeggio.
Thank you, man!
So awesume great!
Love the bending and vibrato..love the fast and emotional!
I add this asap:))
This is excellent Zsolt! I love this solo. Your tone and vibrato are perfect. Well done.
Thanks, guys!
This sounds awesome Zsolt!
hehe you´re the man Zolt!
thanxs a lot for the lesson
Thanks
cool!
Nice words form you, Laszlo, thank you!
man, I love your playing!
I've to say you feel his style very much! Awesome lesson Zsolt!
Thanks, Adrian
very nice solo man!
Thanks, man
Very tasty!
Thanks Jerry! It's the simplest part
Great solo, I like the part around 0:15
Thank you, Kris! We've finally found a great singer, and we're debating if we're gonna make a video of Heaven and Hell. I do hope that we will
One of my favorites from you.
Very cool melodic lines, good ideas !
Respect
Zsolt, man, you playin' is awesome!
I always like your lessons man!
Very tasty
Hehe Zsolt this is extremely promising for the next Wisdom album - and the Kee influence is definitely there!
Hi GMC-ers! I'm currently in the studio with Wisdom, and we're recording the solos. There is a particular song named "Heaven and Hell", and the rhythm of the solo reminded me much of Early Europe and I've decided to honor Kee Marcello by doing a solo somewhat in his melodic style, but with a modern approach and with my feeling.
The beginning of the solo is a simple melody, but creating a melody can be tricky. You have to play it over and over again in order to make it feel right.
The next part is a more modern approach to building melodic solos. I used the third mode of the Hirayoshi scale, the Hon-Kumoi-Yoshi scale, built up an arpeggio around it, to make the solo sound more interesting, and to give it a colorful depth. If you're not familiar with the Hirayoshi scale, check out my "Modal Madness: The Hirayoshi Scale" lesson.
The following part includes some "Staccato-ala-Modal-Madness-Series". If you've practiced it, you won't have problems with this lick.
If you have any questions:
* Give feedback (upper-right-corner)
* My Personal Board
* General Forum
Have Fun!/ Zsolt